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| Chanel’s Inspirational Essay

Chanel’s Inspirational from the Byzantine Era

Everyone loves fashion and when it comes to creativity, this industry has one of the most creative people, as it evolves with an aim of attracting more |ers into their field. Some clothes’ lines have even turned into ancient times so as to bring that craftsmanship into present by bringing the decorations and artwork which the ancient people used into fashion and, thus, producing items reflecting or rather resembling the prehistoric times. One of the major fashion corporations that sought the prehistoric artwork is the Chanel fashion company, which was inspired by the Byzantine era arts and decorations, and this saw the company venture into designing and showcasing clothing and decorations with a touch of ancient times (Nguyen, n.d.).

One of the managers of Chanel Company visited the Basilica di San Vitale in Ravenna and he took pictures of the subtle mosaics on the floors and walls, and the portrait which appealed to him was that of the empress Theodora, who was the wife of ruler Justinian I, who was an actor, as well as a dancer, and, in fact, she was termed as the most influential woman during the era of Byzantine. The empress’s mosaic indicated her wearing a long dark purple cloak which was enmeshed with gold portraying battle scenes, and it was worn over a white costume ornamented with big colored beads casing the whole neckline. In addition, on top of her head stretched out an embroidered headband with hanging jewels. This portrait, therefore, became the inspiration behind the Chanel Company rolling out a showcase in 2011, showing a collection of artwork having the Byzantine decorations in them (Deeny, 2010).

Influence the Byzantine Era Arts on Chanel Fashion Company

Actually during that collection showcasing, the Chanel headquarters was really changed into a small palace of Byzantine empire with glinting silver and gold mosaic carpets, sofas enclosed in metallic silk textiles, glass candelabras, ottoman chandeliers, glass-stained tables, and gold spangled walls. The collection also featured a loose-fitting, dark-light, silk outfit with shoulder part cut outs were defined through strips of Lesage embellished tinted stones, a black colored organza mantle of daintily incised Laramie goose fluff with dyed gold speckles, a purple folded satin gear with pebble embellished sleeves, and a glistening gold one shouldered costume. All these pieces mirrored the draping and shapes, the vibrant colors, as well as the flamboyant decoration found in the Byzantine civilization and visual arts. The model that sported the entire gear and decorations was changed into a contemporary day translation of Empress Theodora, ornamented in a silk and wool weave cloak with a neckline beaded with gold, golden headband, and hands with gold amethyst together with quartz-inlayed bracelets (Nguyen, n.d.).

The Chanel Arts collection has over the years labored to bring the ancient craftsmanship into present times and, it has succeeded at great lengths in accomplishing it. To portray the Byzantine culture in their design and decorations, for instance, they came up with a Byzantine’s palette which basically is a makeup item for women. The palette has a gold inlay for holding each shadows, the shadow shapes are glossy jewel-like, and also there is added texture and rich colors all revealing the features of the byzantine collection.

Moreover, further makeup resembling the portrait of Empress Theodora is also seen extensively applied to makeup models and close looks show much influence from her portrait. For instance, the headgear together with red eye shade worn on her eyebrows curve and this phenomenon is also seen extended to the models.

The designers yet made use of gold in making jewerly and fabric while mimicking the byzantine civilization artwork. For instance, the Empress Theodera’s clotheware and jewerly were all applied in making a contemporary outfit resembling hers. The model below weaews the whole set of outfit which is composed of a silk mend robe with having a neckline that is gold beaded. Her head it fir with a golden headband while hands are covered with big gold amethyst, as well as quartz-inlayed bracelets. The whole setting shows a real artwork depicting the ancient empire of byzantine, and it brings fashion to a whole lot page.

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Another amazing artwork done by the Chanel’s women fashion clothing is making fabric that is golden painted depicting the golden rich ancient times. A golden-colored blouse is seen fixed with pebbles across the seams demonstrating a glamorous jewel toned clothing designs influenced by the Byzantine culture. Women’s fashion attire has constantly been a developing creature full of new ideas and stirring tendencies that identify no bounds.

The dress designed below is a further revelation on the expansive employment of ancient culture of artwork to create a dress that has wealthy shade of jewel glamour-like clothing. It has profound shades of coveted violet and bright green to distinguish in opposition to stark black or pale pastels and whites. In addition to all that glamour, another artwork was expressed in the making of gladiator sandals as these glimmering sandals embroidered with jewelry, and in the prehistoric times they were worn by the royalties in monarchies.

The ancient decorations employed a lot of patterns in making clothing, and this is also evident in the fashion designs by the company, where some lady outfits shown below illustrate a rich mosaic mode of cloth patterning which is also extended on making sleeves, as well as coat collar in both designs.

As evident in all the clothing collections exhibited and actually worked on by the Chanel fashion company, there is much influence emanating from the Byzantine artwork and civilization and through this inspiration, the company’s design pieces appear alive and full of movement, whereby the rich textural textiles apparently seem to reflect or gather the luminosity afresh with each step. Profound tweeds are sawn up although with gold yarn; deep detailing appears almost as fairly accurate clothing. This luminosity is much applied throughout the collection of clothing in the company stores, where the whole lot has a sparkle exactly like the mosaics. There is a design of prominent collars, flat buttons and linear accents, each and every one brings into mind the stylish beauty found in the Byzantine mosaics (Nakra, 2011).

Conclusion

It is actually hard to think through what the entire fashion’s world would be if at all there has not been a clothing company like Chanel which had come out and tried to bring the ancient times into the contemporary world. This would mean that much of the prehistoric times would be forgotten, but such exploration and love of history as used by the Chanel Company has actually enlightened people, as well as showing them how the golden-era looked like and through that they have really created a link between the ancient times with the current world. The artwork of prehistoric period was one of the highly rated handiworks of all time, bearing in mind that those people had no resources which are currently available, nevertheless their work was top brass and their art could only be celebrated through acknowledging and expounding on their artwork ideas.

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